Does Your Preaching Have Calories?

A few friends recently suggested I read Quack This Way: David Foster Wallace and Bryan A. Garner Talk Language and Writing, and I found it surprisingly prophetic to common habits and assumptions of modern preaching. The book is a long interview between lexicographer Bryan Garner and late author David Foster Wallace on writing.

I’m a preacher more than a writer, yet these insights illuminated some of my flagrant fouls as a preacher. Wallace is concerned about good communication—that is, why some material transforms readers and why other material, well, doesn’t. His words on writing reawakened my imagination for preaching.

Here are a few lessons.

Discipline of Clarity

I’ll begin with what Wallace dubs most important: clarity. “Probably the biggest thing for [young writers] to remember,” he says, “is that someone who is not them and cannot read their mind is going to have to read this.” May I translate for preachers? Probably the biggest thing for us to remember is that someone who is not us and cannot read our minds and did not read the books we read will have to listen to our sermons and understand them.

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Like anyone else, preachers are forgetful people. We forget what it’s like not to be at our level in knowledge or training. This is really a sign of immaturity.

A sign of maturity would be to love people with our words in a way we know they understand. Preachers have an edge on writers in this regard, since there are actual people we know personally who will listen to us each week. Will Carol understand this argument? Will Felix catch this allusion?

Having persons we know and love in mind as we construct our sermons goes a long way.

Electricity in the Sermon

At the beginning of the book, Wallace is asked how he would describe good writing. He responds:

In the broadest possible sense, writing well means to communicate clearly and interestingly and in a way that feels alive to the reader. Where there’s some kind of relationship between the writer and the reader—even though it’s mediated by a kind of text—there’s an electricity about it.

In the Reformed circles I run in, we tend to focus on fidelity to the text more than anything else. I’m thankful for that focus. But we often underestimate how the medium of preaching and our use of language can function like smelling salts to awaken our listeners to the truth of the text.

Is there any “electricity” when you speak to your people? I’m not talking about the volume of your voice or merely heightened emotions. I’m talking about your use of words—words that make people feel things. Do your words of your message carry the weight of your message?

Jonathan Edwards once compared our efforts to subdue God’s wrath with our works to a spider web trying to stop a boulder rolling down a hill. There! In a sentence, the doctrine of justification by faith alone becomes three-dimensional. As Wallace put it, our writing should have calories in it for the reader. So should our preaching.

Finding Your Voice

Wallace also commends “learning to pay attention in different ways”—that is, learning to pay attention to all your writing (or preaching) does. The tip he gives is to get a book you love, read a page of it three or four times, put it down and

try to imitate it word for word so that you can feel your own muscles trying to achieve some of the effects that the page of text you like did. If you’re like me, it will be in your failure to be able to duplicate it that you’ll actually learn what’s going on.

This brings up an awkward subject for preachers. We’ve probably all listened to someone and thought, Man, that guy’s just trying to do his best impression of John Piper up there. Somewhere Don Carson gave the advice: If you listen to one preacher and you become a clone; listen to two and you sound confused; listen to dozens and you become wise.

I think that’s true. Wallace, however, has a slight variation on Carson’s advice: “Probably the smart thing to say is, if you spend enough time reading or writing, you find a voice, but you also find certain tastes. You find writers who when they write, it makes your own brain voice like a tuning fork, and you just resonate with them.”

I remember taking Carson’s advice to heart. I listened to dozens of preachers. But at some point I began resonating with a few, and others began falling off my listening list. I don’t think I began copying what those preachers did, but I began learning how they did it. And soon, my own voice started to develop. 

At this point, though, you’re no longer looking for a voice. Instead, having found one, you begin to nurture what’s there. You’ve found a “taste,” and that taste needs to grow up.

At this point, I believe, preaching becomes interesting. I don’t mean clever or smart. But a preacher with his own voice begins to give meaningful sermons in a way he didn’t before. Why? Something of his inner life begins to come out. In other words, something that set his heart on fire begins to catch fire in his listeners. That’s something more than just being able to effectively outline your sermon.

Avoiding Insider Jargon

There’s an interesting section when Garner asks Wallace about why academic writing is, by and large, overly complex and dense. Wallace’s initial response is that “a lot of people with PhDs are stupid, and like many stupid people, they associate complexity with intelligence.”

But more intriguing is how Wallace brings out the subtext of those in the academy using overly dense language:

I think a smarter thing to say is that in many tight, insular communities—where membership is partly based on intelligence, proficiency, and being able to speak the language of the discipline—pieces of writing become as much or more about presenting one’s own qualifications for inclusion in the group than transmission of meaning.

Think about that last part with me. It’s important for preachers to realize our words communicate more than the argument we’re trying to make. There are subtexts as well. Wallace goes on to argue that our words often “signify membership,” that our language “stems from insecurity and that people feel that unless they can mimic the particular jargon and style of their peers, they won’t be taken seriously, and their ideas won’t be taken seriously.” The dangerous part, he says, is that our language “excludes people who aren’t in that group.”

Preachers, we must avoid constructing our sermons to address questions like: “Don’t you think I’m smart enough? Don’t you think I know what I’m doing? Don’t you want to invite your friends to listen to me?” At some point, hopefully, we grow out of that striving.

But in more subtle and subconscious ways, we do communicate a desire for inclusion into a particular group. This way of communicating “enters the nervous system,” Wallace says. Writers “get the idea, without it ever being conscious, that this is the good current credible way to say this.”

Our language can leave those of other ethnicities and socioeconomic levels feeling out of sorts and excluded. We offend and never understand why. People leave, confused, and we just assume they didn’t listen. Wallace encourages us to think more carefully about this problem.

Subcultural vs. Countercultural

One example is the use of language that comes from particular Christian subcultures. Specific words and phrases get into the muscle memory of our communities, and we have no idea it renders outsiders lost and excluded.

There’s a difference, however, between “Christianese” and the language of Christianity; there’s a difference between something being subcultural and something being countercultural.

You learn the difference as you mature as a Christian and a good neighbor. Both languages are learned at a subconscious level. Christianese is a marker of comfort and inclusion. The language of Christianity is the language of a living organism. One is faddish and fades; the other grows and develops, like a tree grows both out, into the sky, and in, deep into the soil.

The more pastors can use electric words in the language of Christianity with their own voice, the more people will find their preaching interesting and engaging, rather than adding to the offense of the gospel. 

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