It’s Friday, but Sunday (= Mother’s Day!) Is Coming

May 01, 2015 | Justin Taylor

WTS Books has some excellent resources for sale for wives and moms, including 5 books, 6 Bibles, and a hymnal.

You can check them out here.

For more information on the ESV Women’s Devotional Bible in particular, the videos below provide some more information:

View Comments

Top 10 Questions the Supreme Court Justices Asked on the Constitutional Right to Same-Sex Marriage

Apr 29, 2015 | Justin Taylor

gay-marriage-supreme-court-Reuters-640x480Russell Moore and Andrew Walker have listed the top 10 questions they heard yesterday during the oral arguments before the Supreme Court on gay marriage.

Here they are:

  1. Chief Justice Roberts asked whether expanding marriage to include gay couples would lead to marriage’s redefinition.
  2. Justice Kennedy expressed concern about whether it was prudent for the Supreme Court to step in and change the definition of an institution that was as old, to use his language as “millennia.” In short, he asked whether it was is imprudent and unwise to suggest that the Supreme Court knows better than ancient history and its belief about marriage.2328378b0cd655c256ff647a3b8ee17e394ce235
  3. Justice Alito expressed skepticism at the idea that traditional or biblical marriage “demeans” gay people. He asked the lawyer in support of same-sex marriage whether that was a “primary purpose.”
  4. Along this same line of questioning, Justice Alito observed that while ancient cultures like Greece embraced homosexuality, they still held marriage as distinct. He asked, “So their limiting marriage to couples of the opposite sex was not based on prejudice against gay people, was it?”
  5. Justice Breyer hinted at perhaps the most important aspect of this particular case: Letting the states decide. He suggested that this debate is working itself out in the states, asking why not “wait and see whether in fact doing so in other states is or is not harmful to marriage?”
  6. Because marriage policy should always be based on sound principle, Justice Alito questioned whether redefining marriage to include same-sex couples would allow polygamous couples to marry. He asked: “What would be the logic of denying them the same right?”
  7. Referencing Bob Jones University’s wrong and sinful banning of interracial dating, Alito asked whether redefining marriage would eventually pose risks (such as the loss of tax-exempt status) to the religious liberty of religious institutions.
  8. Several of the Court’s more liberal justices pressed what the actual harms are of same-sex marriage. They seemed insistent that redefining marriage to include same-sex couples will not result in tangible harms to society. In short, they thought the state lacked sufficient purpose to deny same-sex couples the right to marry. Along the same lines, they argued that there are “dignitary harms” of denying children the opportunity to grow up in a married same-sex household.
  9. Justice Sotomayor stated that marriage is a right embedded in the Constitution. Her question was how to continue exercising that right and finding a just cause for excluding some groups from marrying and not others.
  10. Justice Ginsberg questioned the attorney defending traditional marriage whether a procreative definition of marriage required prohibiting 70-year olds from marrying (on the biological assumption that elderly individuals cannot and will not procreate).

For Moore and Walker’s answers to and interaction with these questions, you can read the whole thing.

Ryan Anderson, who was inside the Court, also provides an excellent analysis.

You can access the transcripts and audio of the historic day of argumentation below:

Supreme Court oral arguments on gay marriage (Part 1)

Supreme Court oral arguments on gay marriage (Part 2)

Audio part 1 and part 2.

View Comments

When Is the Last Time You Heard a Sermon on Ezekiel?

Apr 29, 2015 | Justin Taylor

View Comments

An Interview with Joe Thorn on the Hardest Year of His Life and the New Book That Came Out of It

Apr 29, 2015 | Justin Taylor

My conversation with Pastor Joe Thorn, author of Experiencing the Trinity: The Grace of God for the People of God (Crossway, 2015).

9781433541681To read a sample of the book, go here. Endorsements are below:

“All Christians believe in the Trinity, but most Christians, if we’re honest, don’t like to think about the Trinity that much. The doctrine seems abstract, dry, and distant from everyday life. This book will change that for you. Joe Thorn points us to the joy of a God who is Father, Son, and Spirit, showing us how this truth should prompt us to worship, pray, and trust. He applies this great doctrine without putting us out of its mystery. This book can better equip you to praise the God from whom all blessings flow.”
Russell D. Moore, President, The Ethics & Religious Liberty Commission; author, Tempted and Tried

Experiencing the Trinity will help us focus on God in the midst of the dark clouds and thundering waves that threaten to sink us. The book you hold now is short, but the truths contained therein are neither flippant nor light. It’s just the kind of ballast you need in life’s storms.”
Gloria Furman, Pastor’s wife, Redeemer Church of Dubai; mother of four; author, Glimpses of Grace and Treasuring Christ When Your Hands Are Full

“Here’s gospel gold emerging from the furnace of affliction. Truth that’s been lived becomes life giving as Joe comforts others with the comfort with which he has been comforted by God. I hope and pray that these beautiful meditations will do you as much good as they did me.”
David P. Murray, Professor of Old Testament, Puritan Reformed Theological Seminary; pastor, Grand Rapids Free Reformed Church, Grand Rapids, Michigan; author, Jesus on Every Page and The Happy Christian

“When we are confused and discouraged, where do we find and place our hope? Thorn has written insightful reflections on how knowing God the Father, Son, and Holy Spirit transforms us. Experiencing the Trinity gives us the framework for finding lasting hope in God and will leave an impression on your soul.”
Trillia Newbell, author, United: Captured by God’s Vision for Diversity and Fear and Faith

“Are you weary, discouraged, spiritually dry? Joe Thorn has found a deep well of living water in the desert, and each reading in this wonderful book provides a glorious supply for the parched in spirit. Experiencing the Trinity is real medicine for the soul.”
Jared C. Wilson, Director of Content Strategy, Midwestern Baptist Theological Seminary

“Joe Thorn is a pastor-theologian. He also, however, is a broken man. In this book he shares how Joe Thorn the pastor-theologian ministered to Joe Thorn the broken man—how reflection on the reality of all the graces of the triune God put him on the road to healing. Every pastor should want all of his church members to digest this book. It will encourage them toward a more profound dependence upon the grace of God. It will help them abandon all reservations they have to be grateful to God for all things. It will make them become better listeners to doctrinal preaching and will make the preacher himself a much more sensitive, reflective, and truth-oriented proclaimer of the Word of God.”
Tom J. Nettles, Professor of Historical Theology, The Southern Baptist Theological Seminary; author, By His Grace and for His Glory


View Comments

Hyper-Headship and the Scandal of Domestic Abuse in the Church

Apr 28, 2015 | Justin Taylor

meyer_30b4b4fa89b573ff8df6ede759d52b5eJason Meyer, pastor for preaching and vision at Bethlehem Baptist Church in Minneapolis, gave a powerful and important sermon this past Sunday.

In it, he defined things like “hyper-headship”:

Hyper-headship is a satanic distortion of male leadership, but it can fly under the radar of discernment because it is disguised as strong male leadership. Make no mistake—it is harsh, oppressive, and controlling. In other words, hyper-headship becomes a breeding ground for domestic abuse.

Meyer also addressed the issue of domestic abuse, highlighting three lessons in particular they had learned:

  1. Not all abuse cases are the same, even though they may share certain things in common. If you have seen one abuse case, you have seen one abuse case.
  2. We need to distinguish between two types of marital sinfulness: normative sinfulness and abusive sinfulness.
  3. There are spectrums and varieties of domestic abuse. A good working definition of domestic abuse is “a godless pattern of abusive behavior among spouses involving physical, psychological, and/or emotional means to exert and obtain power and control over a spouse for the achievement of selfish ends” (John Henderson).

Calling it a “draw-a-line-in-the-sand kind of moment” for the church, Meyer read a statement from the elders about domestic abuse:

We, the council of elders at Bethlehem Baptist Church, are resolved to root out all forms of domestic abuse (mental, emotional, physical, and sexual) in our midst. This destructive way of relating to a spouse is a satanic distortion of Christ-like male leadership because it defaces the depiction of Christ’s love for his bride. The shepherds of Bethlehem stand at the ready to protect the abused, call abusers to repentance, discipline the unrepentant, and hold up high the stunning picture of how much Christ loves his church.

The statement goes on to give information about whom to contact when abuse is occurring.

Meyer addressed abusers:

If you are an abuser, I call you right now to repent and bear fruit in keeping with repentance. The only hope is on the other side of repentance—getting out of denial so you can own your sin. That is the only hope because if you confess it as sin, there is a sacrifice for sin. There is no sacrifice for denial.

He addressed victims:

If you are being abused, the bulletin gives information on next steps. Please let us help. God hates abuse, and so do we. We are committed to help. If you have come to us for help before and have been disappointed, please give us another chance. We believe that the tide of awareness has risen on all three campuses and that positive changes are happening.

And he addressed children:

If you are a child and have seen one of your parents abuse the other, it is not right, and it is not your fault. You are not to blame. We want to get you help as well. You may think telling someone will tear your family apart, but it may be the only thing that can bring your family back together. If you are a child and you are being abused, let us help. Don’t walk this road alone. Tell someone. Please tell the children’s pastor or your youth pastor or a Sunday school worker.

He then closed with an address to men in particular:

Men of Bethlehem, let me address you. I will lay it on the line. At first glance, it looks like there are three possible doors the men of this church can take.

  • Door 1: side with the abusersm
  • Door 2: take no side, or
  • Door 3: side with the abused and stand up to the abusers.

If you are tempted to open Door 2, please know that it is a slide that just takes you to the same place as Door 1. Doing nothing is doing something: it is looking the other way so the abusers can do their thing without worrying who is watching. Saying nothing is saying something—it’s saying, “Go ahead, we don’t care enough to do anything.”

I would strongly encourage you to read the entire sermon, which contains careful definitions of the various kinds of abuse and various principles about abuse. You can listen to the audio here.

For some resources on abuse, see Justin and Lindsey Holcomb’s resources:

See also:

View Comments

John Piper on How John Owen Can Help Us Battle Sin and Temptation

Apr 28, 2015 | Justin Taylor

Overcoming Sin_1.indd

From John Piper’s foreword to John Owen’s Overcoming Sin and Temptation:

* * *

Tragically Light Healing vs. Long-Term, Deep Growth in Grace

As I look across the Christian landscape, I think it is fair to say concerning sin, “They have healed the wound of my people lightly” (Jer. 6:14; 8:11, ESV). I take this to refer to leaders who should be helping the church know and feel the seriousness of indwelling sin (Rom. 7:20), and how to fight it and kill it (Rom. 8:13). Instead the depth and complexity and ugliness and danger of sin in professing Christians is either minimized—since we are already justified—or psychologized as a symptom of woundedness rather than corruption.

This is a tragically light healing. I call it a tragedy because by making life easier for ourselves in minimizing the nature and seriousness of our sin, we become greater victims of it. We are in fact not healing ourselves. Those who say that they already feel bad enough without being told about the corruptions of indwelling sin misread the path to peace. When our people have not been taught well about the real nature of sin and how it works and how to put it to death, most of the miseries people report are not owing to the disease but its symptoms. They feel a general malaise and don’t know why, their marriages are at the breaking point, they feel weak in their spiritual witness and devotion, their workplace is embattled, their church is tense with unrest, their fuse is short with the children, etc. They report these miseries as if they were the disease. And they want the symptoms removed.

We proceed to heal the wound of the people lightly. We look first and mainly for circumstantial causes for the misery—present or past. If we’re good at it, we can find partial causes and give some relief. But the healing is light. We have not done the kind of soul surgery that is possible only when the soul doctor knows the kind of things Owen talks about in these books, and when the patient is willing to let the doctor’s scalpel go deep.

What Owen offers is not quick relief, but long-term, deep growth in grace that can make strong, healthy trees where there was once a fragile sapling. I pray that thousands—especially teachers and pastors and other leaders—will choose the harder, long-term path of growth, not the easier, short-term path of circumstantial relief.

Jonathan Edwards vs. John Owen

The two dead pastor-theologians of the English-speaking world who have nourished and taught me most are Jonathan Edwards and John Owen. Some will say Edwards is unsurpassed. Some say Owen was the greater. We don’t need to decide. We have the privilege of knowing them both as our friends and teachers. What an amazing gift of God’s providence that these brothers were raised up and that hundreds of years after they have died we may sit at their feet. We cannot properly estimate the blessing of soaking our minds in the Bible-saturated thinking of the likes of John Owen. What he was able to see in the Bible and preserve for us in writing is simply magnificent. It is so sad—a travesty, I want to say—how many Christian leaders of our day do not strive to penetrate the wisdom of John Owen, but instead read books and magazines that are superficial in their grasp of the Bible.

Owen’s Vision Is a Rare Gift

We act as though there was nothing extraordinary about John Owen’s vision of biblical truth—that he was not a rare gift to the church. But he was rare. There are very few people like this whom God raises up in the history of the church. Why does God do this? Why does he give an Owen or an Edwards to the church and then ordain that what they saw of God should be preserved in books? Is it not because he loves us? Is it not because he would share Owen’s vision with his church? Great trees that are covered with the richest life-giving fruit are not for museums. God preserves them and their fruit for the health of his church.

I know that all Christians cannot read all such giants. Even one mountain is too high to climb for most of us. But we can pick one or two, and then ask God to teach us what he taught them. The really great writers are not valuable for their cleverness but for their straightforward and astonishing insight into what the Bible really says about great realities. This is what we need.

The Bible is God’s word. Therefore, it is profound. How could it not be? God inspired it. He understands himself and the human heart infinitely. He is not playing games with us. He really means to communicate the profoundest things about sin and hell and heaven and Christ and faith and salvation and holiness and death. Paul does not sing out in vain, “Oh, the depth of the riches and wisdom and knowledge of God! How unsearchable are his judgments and how inscrutable his ways!” (Rom. 11:33, ESV). No. He summons us to stop settling for pop culture and to learn what the Bible really has to say about the imponderable depths of sin and grace.

Owen’s Shocking Pastoral Insights

Owen is especially worthy of our attention because he is shocking in his insights. That is my impression again and again. He shocks me out of my platitudinous ways of thinking about God and man. Here are a few random recollections from what you are (I hope) about to read. You will find others on your own.

1. “There is no death of sin without the death of Christ” (Of the Mortification of Sin in Believers, chapter 7).

Owen loves the cross and knows what happened there better than anyone I have read. The battle with sin that you are about to read about is no superficial technique of behavior modification. It is a profound dealing with what was accomplished on the cross in relation to the supernatural working of the Holy Spirit through the deep and wonderful mysteries of faith.

2. “To kill sin is the work of living men; where men are dead (as all unbelievers, the best of them, are dead), sin is alive, and will live” (chapter 7).

Oh, the pastoral insights that emerge from Owen! As here: If you are fighting sin, you are alive. Take heart. But if sin holds sway unopposed, you are dead no matter how lively this sin makes you feel. Take heart, embattled saint!

3. “God says, ‘Here is one, if he could be rid of this lust I should never hear of him more; let him wrestle with this, or he is lost'” (chapter 8).

Astonishing! God ordains to leave a lust with me till I become the sort of warrior who will still seek his aid when this victory is won. God knows when we can bear the triumphs of his grace.

4. “Is there the guilt of any great sin lying upon you unrepented of? A new sin may be permitted, as well as a new affliction sent, to bring an old sin to remembrance” (chapter 9).

What? God ordains that we be tested by another sin so that an old one might be better known and fought? Sin is one of God’s weapons against sin?

5. “The difference between believers and unbelievers as to knowledge is not so much in the matter of their knowledge as in the manner of knowing. Unbelievers, some of them, may know more and be able to say more of God, his perfections, and his will, than many believers; but they know nothing as they ought, nothing in a right manner, nothing spiritually and savingly, nothing with a holy, heavenly light. The excellency of a believer is, not that he has a large apprehension of things, but that what he does apprehend, which perhaps may be very little, he sees it in the light of the Spirit of God, in a saving, soul-transforming light; and this is that which gives us communion with God, and not prying thoughts or curious-raised notions” (chapter 12).

How then will we labor to help people know much and know it “in a right manner”? What is that?

6. “[Christ] is the head from whence the new man must have influences of life and strength, or it will decay every day” (chapter 14).

Oh, that our people would feel the urgency of daily supplies of grace because “grace decays.” Do they know this? Is it a category in their mind—that grace decays? How many try to live their lives on automatic pilot with no sense of urgency that means of grace are given so that the riches of Christ may daily be obtained with fresh supplies of grace.

The list could go on and on. For me, to read Owen is to wake up to ways of seeing that are so clearly biblical that I wonder how I could have been so blind. May that be your joyful experience as well.


To find out more information on Overcoming Sin and Temptationan unabridged modern scholarly edition of Owen’s trilogy with introductions, outlines, glossary, etc.—go here. There you can download sample content, see the table of contents, read the endorsements, etc.

Posted with permission of Crossway Books.

View Comments

The New Testament, the Ring of Truth, and the Difference with Mythological Legends

Apr 28, 2015 | Justin Taylor

j.b.phillipsJ. B. Phillips (1906-1982) is perhaps best known today for his book, Your God Is Too Small. He was also a periphrastic Bible translator, working from the Greek text to put the New Testament into a breezy, British, mid-20th-century vernacular. In 1947 he published Letters to  Young Churches. In 1952, he added the Gospels, followed by the book of Acts in 1955 (The Young Church in Action). In 1958 he published the entire New Testament in Modern English, with revisions in 1961 and 1972.

In 1967 he wrote a memoir describing the experience, entitled Ring of Truth: A Translator’s Testimony.

In it he describes his view of the text before he began his work:

I must, in common justice, confess here that for years I had viewed the Greek of the New Testament with a rather snobbish disdain. I had read the best of classical Greek both at school and Cambridge for over ten years. . . . Although I did my utmost to preserve an emotional detachment, I found again and again that the material under my hands was strangely alive; it spoke to my condition in the most uncanny way. I say “uncanny” for want of a better word, but it was a very strange experience to sense, not occasionally but almost continually, the living quality of those rather strangely assorted books. To me it is the more remarkable because I had no fundamentalist upbringing, and although as a priest of the Anglican Church I had a great respect for Holy Scripture, this very close contact of several years of translation produced an effect of “inspiration” which I have never experienced, even in the remotest degree, in any other work. (pp. 24-25)

There he describes how working directly with the Greek text changed him.

For me, the translator, this fifteenth chapter [of 1 Corinthian] seemed alive and vibrant, not with pious hope, but with inspired certainty.

Quite suddenly I realized that no man had ever written such words before. As I pressed on with the task of translation I came to feel utterly convinced of the truth of the resurrection. Something of literally life-and-death importance had happened in mortal history, and I was reading the actual words of people who had seen Christ after his resurrection and had seen men and women deeply changed by his living power.

Previously, although I had known something of the “comfort of the Scriptures” and had never thought them to be false, I must have been insulated from their reality simply because they were known as “scripture”. Now I was compelled to come to the closest possible terms with this writing and I was enormously impressed, and still am. On the one hand these letters were written over quite a period of years, but there is not the slightest discernible diminution of faith. And on the other hand it was borne in upon me with irresistable force that these letters could never have been written at all if there had been no Jesus Christ, no crucifixion and no resurrection. The more I thought about it, the more unthinkable it became that any of this new courageous, joyful life could have originated in any kind of concocted story or wishful thinking. There had been a stupendous event, and from that was flowing all this strength and utter conviction. (pp. 26-27)

Phillips also wrote about the differences between the Gospels and the myths he had read elsewhere:

It is, in my experience, the people who have never troubled seriously to study the four Gospels who are the loudest in their protests that there was no such person. I felt, and feel, without any shadow of doubt that close contact with the text of the Gospels builds up in the heart and mind a character of awe-inspiring stature and quality. I have read, in Greek and Latin, scores of myths but I did not find the slightest flavor of myth here. There is no hysteria, no careful working for effect and no attempt at collusion. These are not embroidered tales: the material is cut to the bone. One sensed again and again that understatement which we have been taught to think is more “British” than Oriental. There is an almost childlike candor and simplicity, and the total effect is tremendous. No man could ever have invented such a character as Jesus. No man could have set down such artless and vulnerable accounts as these unless some real event lay behind them. (pp. 57-58)

Phillips’s comment reminds me of something that C. S. Lewis wrote:

All I am in private life is a literary critic and historian, that’s my job. And I am prepared to say on that basis if anyone thinks the Gospels are either legend or novels, then that person is simply showing his incompetence as a literary critic. I’ve read a great many novels and I know a fair amount about the legends that grew up among early people, and I know perfectly well the Gospels are not that kind of stuff. (C. S. Lewis, interview with J. W. Welch, BBC, July 19, 1943)

View Comments

Christians, Culture, and Strategic Withdrawal Attentiveness

Apr 27, 2015 | Justin Taylor

Rod Dreher:

What I call the Benedict Option is this: a limited, strategic withdrawal of Christians from the mainstream of American popular culture, for the sake of shoring up our understanding of what the church is, and what we must do to be the church. We must do this because the strongly anti-Christian nature of contemporary popular culture occludes the meaning of the Gospel, and hides from us the kinds of habits and practices we need to engage in to be truly faithful to what we have been given.

David French responded to Dreher, and Alan Jacobs in turn responded to French. Here is an excerpt:

In most of the rest of his response French emphasizes strictly political issues, for instance, current debates over the extent of free speech. But Rod doesn’t say anything about withdrawing from electoral politics — he doesn’t say anything about politics at all, except insofar as building and strengthening the ekklesia is political (which it is — see below).

It’s not likely that French and I could ever come to much agreement about the core issues here, since he so readily conflates Christianity and conservatism. (“The surprising box office of God’s Not Dead, the overwhelming success of American Sniper, celebrating the life of a Christian warrior” — I … I … — “and the consistent ratings for Bible-themed television demonstrate that there remains a large-scale appetite for works of art that advance, whether by intention or by effect, a substantially more conservative point of view.”) But his response to Rod has the effect of forcing some important questions on those of us who think that the current social and political climate calls for new strategies: What exactly do we mean by “withdraw,” and how far do we withdraw? What specifically do we withdraw from? What are the political implications of cultural withdrawal?

Rod, in the post I quoted at the outset, does a fantastic job of laying out very briefly and concisely the work that needs to be done to strengthen local religious communities. But time, energy, attention, and money are all plagued by scarcity, which is why some kind of “withdrawal” is unavoidable — if I’m going to put more money into my church, that means less money available elsewhere. And if I’m going to devote more attention to active love of God and active love of my neighbor, from what should I withdraw my attention?

All of this is going to remain excessively vague and abstract until we can see specific instances of such withdrawal. . . .

So I wonder if a better way to think about the Benedict Option is not as a strategic withdrawal from anything in particular but a strategic attentiveness to the institutions and forms of life within which Christians can flourish. In other words, Rod’s post is the right starting place, and the language of “withdrawal” something of a distraction from what that post is all about.

My own inclination — but then I have been a teacher for thirtysomething years — is to think that our primary focus should be on the two chief modes of Bildung: paideia and catechesis. And I do not mean for either of these modes to be confined to the formation of children.

You can read the whole thing here.

View Comments

An Interview with Kevin DeYoung on What the Bible Really Teaches about Homosexuality

Apr 23, 2015 | Justin Taylor

9781433549373I highly recommend Kevin DeYoung’s new book, What Does the Bible Really Teach about Homosexuality? (You can get it for less than $10 at Amazon. WTS also sells them by the case.)

The book has a simple structure.

The first part is on understanding God’s Word:

  • One Man, One Woman, One Flesh
  • Those Infamous Cities (Genesis 19)
  • Taking a Strange Book Seriously (Leviticus 18, 20)
  • The Romans Road in the Wrong Direction (Romans 1)
  • A New Word from an Old Place (1 Corinthians 6; 1 Timothy 1)

The second part is on answering objections:

  • “The Bible Hardly Ever Mentions Homosexuality”
  • “Not That Kind of Homosexuality”
  • “What about Gluttony and Divorce?”
  • “The Church Is Supposed to Be a Place for Broken People”
  • “You’re on the Wrong Side of History”
  • “It’s Not Fair”
  • “The God I Worship Is a God of Love”

He then closes with three appendices:

  • What about Same-Sex Marriage?
  • Same-Sex Attraction: Three Building Blocks
  • The Church and Homosexuality: Ten Commitments

All of this in 160 pages.

Here is one of the things I appreciate about Kevin. Not only is he an excellent writer and an insightful thinker, but he brings pastoral wisdom and care to this contentious and often personal discussion. For example, here is one section from the book that I appreciated, something that conservatives (in particular) who care about this issue should take to heart:

Of the many complexities involving the church and homosexuality, one of the most difficult is how the former should speak of the latter. Even for those Christians who agree that homosexual practice is contrary to the will of God, there is little agreement on how we ought to speak about it being contrary to the will of God. Much of this disagreement exists because we have many different constituencies in mind when we broach the subject. There are various groups that may be listening when we speak about homosexuality, and the group we think we are addressing usually dictates how we speak.

  • If we are speaking to cultural elites who despise us and our beliefs, we want to be bold and courageous.
  • If we are speaking to strugglers who fight against same-sex attraction, we want to be patient and sympathetic.
  • If we are speaking to sufferers who have been mistreated by the church, we want to be winsome and humble.
  • If we are speaking to shaky Christians who seem ready to compromise the faith for society’s approval, we want to be persuasive and persistent.
  • If we are speaking to those who are living as the Scriptures would not have them live, we want to be straightforward and earnest.
  • If we are speaking to belligerent Christians who hate or fear persons who identify as gay or lesbian, we want to be clear and corrective.

In the following video, I was able to sit down with Kevin to ask him a few questions about the topic and the book.

In the following video, I was able to sit down with Kevin to ask him a few questions about the topic and the book.

And here is a special talk Kevin gave, seeking to answer four categories of objections to traditional biblical ethics:

  • not that much—Jesus didn’t say anything about homosexuality, we are only dealing with a few verses
  • not the same—there was a different kind of homosexuality in the ancient world
  • not a big deal—we are all broken, we ignore other sins, can’t we find a third way?
  • not fair—the traditional view doesn’t lead to human flourishing and doesn’t lead to fruitful ministry

For more information on the book—including a sample chapter and a free study guide—go here.

Finally, here are some endorsements for the book:

“This book provides a short, accessible, and pastoral toolbox for all Christians to navigate the shifting cultural landscape of sexuality and find confidence and hope in how the Bible directs our steps. DeYoung offers wise and readable apologetics here, providing his readers with both motive and model for how to think and talk about homosexuality and the Christian faith in a way that honors Christ and gives hope to a watching world.”
—Rosaria Butterfield , former tenured Professor of English at Syracuse University; author, The Secret Thoughts of an Unlikely Convert; mother, pastor’s wife, and speaker

“DeYoung takes on the most pressing issue of our day: whether we will be conformed to the spirit of the age or whether we will follow Christ. Against the sexual revolution and its high priests, DeYoung presents an alternative vision, the ancient wisdom of a Christian sexual ethic. This is the best book on this subject that I have read. Every Christian confronted with these issues, which means every Christian, should read this book. You will finish this book better equipped to preach the gospel, to love the lost, to welcome the wounded, and to stand up for Jesus and his Word.”
—Russell D. Moore, President, The Ethics & Religious Liberty Commission; author, Tempted and Tried

“What a gift this book is to the church! Kevin approaches the difficult question of sexuality with compassion and clarity, showing us what God’s Word says about it and why it is important. Well researched, accessibly written, and gospel saturated—this, in my opinion, is now the book on this subject for our generation!”
—J. D. Greear, Lead Pastor, The Summit Church, Durham, North Carolina; author, Jesus, Continued…Why the Spirit Inside You Is Better than Jesus Beside You

“A superb, accessible resource for lay people in every walk of life who need help making sense of one of the most critical, defining issues of our day. Kevin DeYoung approaches this highly controversial topic in a way that is biblically faithful, pastorally sensitive, historically in-formed, and culturally aware. The stakes are high. We cannot afford not to understand what Kevin has so helpfully laid out for us here.”
—Nancy Leigh DeMoss, author; radio host, Revive Our Hearts

“Anyone looking for an accessible, reader-friendly, “one-stop” treatment of the biblical underpinnings of traditional Christian marriage and sexual ethics would do well to read this book. It is lucid but not simplistic, judicious but not obscure, and convicted but not shrill.”
—Wesley Hill , Assistant Professor of Biblical Studies, Trinity School for Ministry; author, Washed and Waiting: Reflections on Christian Faithfulness and Homosexuality

“Kevin DeYoung has written a good and faithful treatment on the Bible and homosexual practice for the average churchgoer. His work addresses most of the main issues and does so in a succinct and articulate manner. I commend it.”
—Robert Gagnon, Associate Professor of New Testament, Pittsburgh Theological Seminary; author, The Bible and Homosexual Practice

“In the heated atmosphere that currently surrounds discussion of every aspect of homosexuality, the most important domain where we need careful thinking and constrained rhetoric is what the Bible does and does not say on the matter. With his customary directness and clarity, Kevin DeYoung has now met this need. For those interested in careful exegesis of the relevant passages and patient discussion of the issues that arise from it, packaged in brevity and simplicity, it would be difficult to better this book.”
—D. A. Carson, Research Professor of New Testament, Trinity Evangelical Divinity School

“DeYoung provides a much-needed resource that addresses the important biblical and theological issues related to homosexuality while maintaining accessibility to a broad readership. The Ten Commitments at the end of this book display DeYoung’s pastoral heart and his understanding that regardless of our vices or virtues, we must preach the gospel, together strive for holiness, and exalt Christ above all things.”
—Christopher Yuan, Bible Teacher; speaker; author, Out of a Far Country: A Gay Son’s Journey to God

“Written with the deftness, clarity, and tender grace we’ve come to expect from DeYoung, What Does the Bible Really Teach about Homosexuality? answers, point by point, the revisionist theology making inroads in even the most conservative theological circles. It is simply the very best resource any follower of Christ can have to answer the challenge of homosexuality in the church.”
—Gregory Koukl, President of Stand to Reason (; author, Tactics and Relativism

“Solid exegesis and tight writing make this book stand out. Kevin DeYoung concisely explains the key biblical passages and clearly responds to the key objections.”
—Marvin Olasky, Editor in Chief, World News Group

View Comments

David Foster Wallace: “There Is No Such Thing as Not Worshipping”

Apr 23, 2015 | Justin Taylor

davidfosterwallaceAlissa Wilkinson’s Books & Culture essay on David Foster Wallace is worth reading in full.

Here is an excerpt:

The philosopher Charles Taylor suggests that the difference between believers and unbelievers is not what they think as much as how they deal with three things humans experience: fullness, that feeling of euphoria and rightness you get when you’re happiest; absence, the exact opposite; and the middle condition, the things-are-pretty-okay place in which many of us are fortunate enough to live our daily lives. Everyone wants to experience fullness, and most everyone structures their lives around that pursuit, Taylor argues. But to believers, the place to find fullness is God, or something godlike; for unbelievers, it’s to be sought within ourselves.

Wallace hung himself while his wife was out for a walk. He did this after a life-time of struggling with depression, which might be best described as the unabated experience of absence. In his most popular work, “This Is Water,” a commencement speech he delivered at Kenyon College, he talks about the struggle of living in that middle condition, the everyday banality graduates were about to enter—the harried commute, the line at the grocery store, the grumpy cashier—and the “myriad petty, unsexy” choices one must make, every day, to live as if other people are real beings with feelings.

When you read the rest of his work, you realize that speech functions as Wallace’s ideal of what he wishes life could be. It lays out his own yearning for fullness—for a world in which everyone is aware of and careful with others. Be mindful of those around you, he says—something that sounds a lot like the unbeliever’s tactic for dealing with it all. “None of this stuff is really about morality or religion or dogma or big fancy questions of life after death,” he says near the end of the speech.

Except it totally is, and he knows that, because he also says this: “Here’s something else that’s weird but true. In the day-to-day trenches of adult life, there is actually no such thing as atheism. There is no such thing as not worshipping. Everybody worships. The only choice we get is what to worship.” You can read his earlier declaration about religion at face value, or you can know that Wallace is always trying to connect with his audience, and detect a characteristic hyper-awareness of his listeners’ prejudices in his stretch to imprint something on their brains. What we worship, the thing we stretch for beyond ourselves that gets us closer to fullness, is his obsession.

You can read the whole thing here.

You can listen below to DFW’s 2005 Kenyon College address (note: language).

View Comments

If God Is Sovereign, Why Is My Sanctification So Slow?

Apr 23, 2015 | Justin Taylor

If God is sovereign (and he is), and if our sanctification brings him glory (and it does), then why do we continue to struggle so much (which we do)?

For example, Christians know that communion with God in prayer, faith, and the Word will give us substantive joy. But we often cut it short or skip it all together for trifling things.

Writing to a correspondent in 1776, John Newton described it this way:

Though he knows that communion with God is his highest privilege, he too seldom finds it so; on the contrary, if duty, conscience, and necessity did not compel, he would leave the throne of grace unvisited from day to day.

He takes up the Bible, conscious that it is the fountain of life and true comfort; yet perhaps, while he is making the reflection, he feels a secret distaste, which prompts him to lay it down, and give him preference to a newspaper.

Newton then raises the sovereignty problem:

How can these things be, or why are they permitted? Since the Lord hates sin, teaches his people to hate it and cry against it, and has promised to hear their prayers, how is it that they go thus burdened? Surely, if he could not, or would not, over-rule evil for good, he would permit it to continue.

Newton’s answer is not to excuse spiritual dullness or laziness, nor to browbeat us, but to look up and beyond to see what God is doing through our sometimes painfully slow progress in the faith:

By these exercises he teaches us more truly to know and feel the utter depravity and corruption of our whole nature, that we are indeed defiled in every part.

His method of salvation is likewise hereby exceedingly endeared to us: we see that it is and must be of grace, wholly of grace; and that the Lord Jesus Christ, and his perfect righteousness, is and must be our all in all.

His power likewise, in maintaining his own work notwithstanding our infirmities, temptations, and enemies, is hereby displayed in the clearest light; his strength is manifested in our weakness.

Satan likewise is more remarkably disappointed and put to shame, when he finds bounds set to his rage and policy, beyond which he cannot pass; and that those in whom he finds so much to work upon, and over whom he so often prevails for a season, escape at last out of his hands. He casts them down, but they are raised again; he wounds them, but they are healed; he obtains his desire to sift them as wheat, but the prayer of their great Advocate prevails for the maintenance of their faith.

Farther, by what believers feel in themselves they learn by degrees how to warn, pity, and bear with others. A soft, patient, and compassionate spirit, and a readiness and skill in comforting those who are cast down, is not perhaps attainable in any other way.

And, lastly, I believe nothing more habitually reconciles a child of God to the thought of death, than the wearisomeness of this warfare. Death is unwelcome to nature;—but then, and not till then, the conflict will cease. Then we shall sin no more. The flesh, with all its attendant evils, will be laid in the grave. Then the soul, which has been partaker of a new and heavenly birth, shall be freed from every incumbrance, and stand perfect perfect in the Redeemer’s righteousness before God in glory.

Newton goes on to answer the question of how such sin can be mitigated or overcome. Here’s a summary of what he recommends:

Faithfulness to light received, and a sincere endeavor to conform to the means prescribed in the word of God, with an humble application to the Blood of sprinkling and the promised Spirit, will undoubtedly be answered by increasing measures of light, faith, strength, and comfort; and we shall know, if we follow on to know the Lord.

Newton was one of the the most spiritually healthy Christians in church history. You almost certainly will not regret any chance to read his counsel. The best introduction to his vision of the Christian life is now Tony Reinke’s Newton on the Christian Life: To Live Is Christ (Crossway, forthcoming in May).

View Comments

Paul Was Inspired, Yet He Wanted Timothy to Bring Him Books to Read!

Apr 17, 2015 | Justin Taylor

paul-the-apostleWriting around AD 64-65, the Apostle Paul appended a request in his letter to his pastoral protégé and friend Timothy:

When you come, bring the cloak that I left with Carpus at Troas, also the books, and above all the parchments. (2 Tim. 4:13)

Charles Spurgeon’s comments are worth reading about the implications for us today:

We do not know what the books were about, and we can only form some guess as to what the parchments were. Paul had a few books which were left, perhaps wrapped up in the cloak, and Timothy was to be careful to bring them. Even an apostle must read. . . . A man who comes up into the pulpit, professes to take his text on the spot, and talks any quantity of nonsense, is the idol of many. If he will speak without premeditation, or pretend to do so, and never produce what they call a dish of dead men’s brains—oh! that is the preacher. How rebuked are they by the apostle!

He is inspired, and yet he wants books!

He has been preaching at least for thirty years, and yet he wants books!

He had seen the Lord, and yet he wants books!

He had had a wider experience than most men, and yet he wants books!

He had been caught up into the third heaven, and had heard things which it was unlawful for a men to utter, yet he wants books!

He had written the major part of the New Testament, and yet he wants books!

The apostle says to Timothy and so he says to every preacher, “Give thyself unto reading.” The man who never reads will never be read; he who never quotes will never be quoted. He who will not use the thoughts of other men’s brains, proves that he has no brains of his own.

Brethren, what is true of ministers is true of all our people. You need to read. Renounce as much as you will all light literature, but study as much as possible sound theological works, especially the Puritanic writers, and expositions of the Bible. We are quite persuaded that the very best way for you to be spending your leisure, is to be either reading or praying. You may get much instruction from books which afterwards you may use as a true weapon in your Lord and Master’s service.

Paul cries, “Bring the books”—join in the cry.

A fortiori—tolle lege!

View Comments

Tim Keller’s Foreword for Collin Hansen’s New Book, “Blind Spots”

Apr 16, 2015 | Justin Taylor


Here is Tim Keller’s foreword for Collin Hansen’s new book, Blind Spots: Becoming a Courageous, Compassionate, and Commissioned Church (Crossway, 2015):

Jonathan Edwards was keenly interested in the philosophy and thought of his day, and at the same time he was fully committed to the absolute authority of the Scriptures. As a result he was, as Richard Lints put it, “arguably the most creative and the most orthodox theologian [at once] that America has ever produced.”

Edwards was also as deeply committed to sound, systematic biblical doctrine as he was fascinated by the workings of the heart and how the emotions and senses relate to our reason. This meant, “He stands with Augustine and Luther in the depth of his analysis of religious experience, [and] he stands with Aquinas and Calvin in the breadth of his intellectual grasp of the gospel.”

This breadth of interest is, however, extraordinarily hard to maintain. Historian Mark A. Noll demonstrates this in his essay “Jonathan Edwards and Nineteenth-Century Theology,” in which he traces out Edwards’s legacy in the American church over the hundred years or so after his death.

Old Princeton, including Charles Hodge and B. B. Warfield, were the most true to Edwards’s orthodox Reformed theology. However, not only were they “far from independent or original thinkers”; they were increasingly inattentive to matters of revival and spiritual experience.

Edwards’s New England disciples such as Samuel Hopkins, Jonathan Edwards Jr., and later Nathaniel Taylor were social activists, abolitionists, and creative theological thinkers, but they left behind much of Edwards’s biblically faithful doctrine.

So did Charles Finney, an enthusiastic reader of Edwards on revivals who strongly rejected his Reformed theology.

Noll’s essay demonstrates that there were some who maintained Edwards’s doctrinal orthodoxy, some who adopted his creative cultural engagement, and some who kept his enthusiasm for revivals and mission.

Ironically, each of these parties claiming Edwards as inspiration was hostile and critical toward the others during much of the early nineteenth century. Some theologians and ministers kept these various strands—doctrine, cultural engagement, and revival—interwoven and integrated, but that was not true of most.

You must not think by this foreword that Collin Hansen’s book is about church history or the historic schools of
American Reformed theology. It is not at all. Rather, it is an extended essay on how Christians in Western societies today are responding and how they need to respond to a culture quickly growing post-Christian. Christians have not come to consensus on how to respond to this new world.

Collin sees us fragmenting into at least three distinct responses, each with its own peculiar blind spots, and each one highly critical of the other two.

The three parties of Edwards’s followers correspond roughly to the groups that Collin discerns on the scene today.
This is evidence that these fissures within our ranks have been with us for a long time and that each party has latched
onto some true aspect of what it means to live the Christian life.

The “courage” group stands valiantly for the truth; the ”compassion” people stress service, listening, and engagement; while the “commissioned” folks are all about building up the church and reaching the lost.

Once things are broken down like that, it becomes clear that these should be strands in a single cord. Each group goes bad to the degree it distances itself from the others.

I am, of course, here making this much simpler than it is. Within the pages that follow, Collin Hansen judiciously weighs and discusses the complexities of where we are and what must be done.

You can find out more about this thoughtful and provocative book here.

View Comments

The Day Lincoln Was Shot: A Visual FAQ

Apr 13, 2015 | Justin Taylor



Today is the 150th anniversary of the assassination of President Abraham Lincoln (April 14, 1865).

Here is an FAQ on some aspects and background of the tragic murder.

What is the last known photograph of Abraham Lincoln alive?

Harold Holzer has convincingly shown that the last close-up photograph of the president alive was taken outside on the south portico of the White House by photographer Henry F. Warren (Waltham, Massachusetts) during the late afternoon of Monday, March 6, 1865—two days after his second inaugural address and six weeks before he was killed.


The following photograph, previously thought to be the final one of Lincoln, was taken in a studio by Alexander Gardner on Sunday, February 5, 1865, and was recently colorized by Mads Madsen. It is a more detailed and iconic capturing of the war-weary 56-year-old Commander in Chief.


What is the last thing Lincoln is known to have written?

Shortly before leaving for Ford’s Theatre on Friday evening, April 14, 1865, President Lincoln wrote a note for former Congressman George Ashmun, who had arrived at the White House without an appointment. Lincoln promised to see him the next morning:

Screen Shot 2015-04-08 at 12.30.43 AM

Transcription: Allow Mr. Ashmun & friend to come in at 9- AM. tomorrow. A Lincoln April 14. 1865.

What were Lincoln’s final words?

During the third act of the play, Mary Todd Lincoln, affectionately leaning toward her husband as she held his hand, asked, ”What will Miss Harris think of my hanging onto you so?” Abraham Lincoln responded, ”Why, she will think nothing about it.”

Mrs. Lincoln later recounted the conversation to a friend, who recorded it in a letter.

What was happening during the Civil War in the spring of 1865?

On March 4, President Lincoln had delivered his second inaugural address at the east front of the Capitol.



On Palm Sunday, April 9, Confederate General Robert E. Lee had surrendered the Army of Northern Virginia to Union General Ulysses S. Grant in the parlor of the Wilmer McLean’s house in the Appomattox Court House in Virginia.




lee grant

Two days later, April 11, Lincoln gives his last public address, speaking to a large celebratory crowd gathered outside the north face of the White House while standing at the hallway window been the two bedrooms. Lincoln proposed suffrage for certain blacks.
In the crowd that night was the famed 26-year-old actor and Confederate spy John Wilkes Booth. After Lincoln mentioned black suffrage, Booth turned to his companions (and future accomplices) Lewis Powell and David Herold, exclaiming, ”That means n—– citizenship. Now, by God, I’ll put him through. That is the last speech he will ever make.”
John Wilkes Booth, colorized by Mads Madsen

John Wilkes Booth, colorized by Mads Madsen

David Herold and Lewis Powell

David Herold and Lewis Powell

Had Booth and Lincoln ever met?

There is no evidence they ever met. But Lincoln had seen Booth (acting in plays), and Booth had seen Lincoln (giving speeches).

On April 7, 1865, Booth was drinking at the House of Lords saloon on Houston Street in New York City. He told his actor-friend Samuel Knapp Chester, “What an excellent chance I had, if I wished, to kill the President on Inauguration day! I was on the stand, as close to him nearly as I am to you.”

Numerous books—along with Wikipedia and Ford’s Theatre itself—purport to show Booth’s location at the speech:


I’ve zoomed in below:

Screen Shot 2015-04-02 at 1.02.07 PM

Although this makes for a dramatic photograph—the would-be assassin staring down at his eventual victim several feet away—I seriously doubt this is Booth. The resolution of the photograph is not sufficient to make a positive identification. While the figure in the photo has dark hair and a mustache, there were undoubtedly numerous men at the inauguration with those identifying features. Booth had a high receding hairline and prominently parted his hair on the left; the figure in the photograph has his hair parted on the right and his hair is longer than Booth’s. He is also not wearing a hat, something that would be highly unusual for a formal outdoor event attended by the fashion-conscious debonair actor. Finally, I’ve never heard any positive claims for why this man that doesn’t really look like Booth is actually Booth himself. In short, there is no good reason to believe this is John Wilkes Booth.

The problem, as Dave Taylor points out, is that the best picture of the likely position of Booth has Lincoln obscured by a smudge or fingerprint, and the best picture of Lincoln has Booth’s face covered by someone standing in front of him. So while both men were there, and both men are likely pictured, we lack a good picture that clearly shows both of them. Here is a shot that shows a very good candidate for the real Booth:


Whom did the Lincolns invite with them to Ford’s Theatre on Good Friday, April 14?

During a Cabinet meeting that morning at the White House, Lincoln invited General Ulysses S. Grant and his wife, Julia, to join him and his wife that evening at Ford’s Theatre. Grant accepted but with a caveat: if he finished his paperwork early enough, he and Mrs. Grant wanted to catch the early train from DC to New Jersey to spend time with their children, who were attending school in Burlington, NJ.


Many claim the real reason for the decline was that Mary Todd Lincoln was unpleasant company, having socially alienated many in her circle. And it’s true that just a month earlier Mrs. Lincoln had berated Mrs. Grant. This is ultimately speculation (which doesn’t make it untrue), and there is no documentary evidence from the Grants that this was the real reason.

Telegrapher David Homer Bates wrote in his memoirs that Secretary of State Stanton tried vigorously to persuade Lincoln not to attend the theatre that night, citing security concerns, and later did the same with Grant, urging him to persuade the president to avoid the unnecessary risk.

It is not unreasonable to think that all of these reasons—Julia Grant’s view of Mary Todd Lincoln, Edwin Stanton’s objections, and the Grants’ desire to see their children now that the Confederate Army had surrendered—combined to prevent them from attending. In any event, John Wilkes Booth saw them leave town that afternoon, even though many attending the play “Our American Cousin” that night expected to see the General, who may have been an even bigger attraction than the President.

What was “Our American Cousin” about?

It was a three-act farcical comedy written by English playwright Tom Taylor in 1858. The character Asa Trenchard—an awkwardly boorish American (played at Ford’s Theatre that night by Harry Hawk)—travels to England to claim the family estate and encounters his aristocratic English relatives.

That evening would be a benefit production and the last performance by the actress Laura Keene. Here is a reprint of the advertisement for that night:


Did the Lincolns ask others to attend?

Lincoln also asked Major Thomas T. Eckert, assistant secretary of war and head of the telegraph office of the War Department. But Eckert knew of the strong disapproval of his boss, Secretary Stanton, and declined.

There are half a dozen or so other people who claimed that the President asked them to attend the theatre with them that evening. But the Lincolns did find a willing couple: Major Henry Rathbone (27 years old) and his fiancée/stepsister Clare Harris (30 years old).

Composite of two photographs

Composite of two photographs

As the Lincolns prepared to leave, they asked their son 21-year-old son, Robert, home from the War as a Union Army captain, if he wanted to attend, but he responded that he was quite tired and wanted to rest.

Their son Tad, who had just turned 12, went to Grover’s Theatre that night—just three blocks west of Ford’s Theatre—to see “Aladdin and the Wonderful Lamp.”

How did they get to Ford’s Theatre?

The black open barouche model carriage had four wheels and was horse-drawn. The rear half had a collapsible roof, and seats facing each other for the passengers. There were seats in the front for the driver and a companion.

Lincoln’s carriage—which has been restored and is pictured below—was made by the Wood Brothers (1864) and presented to Lincoln by a group of New York merchants shortly before his second inauguration. The Studebaker National Museum, which owns it today, explains, ”The carriage is equipped with six springs and solid silver lamps, door handles and hubcaps. The steps are connected to the doors so that they lower and rise as the doors open and close.”


Screen Shot 2015-03-27 at 3.04.30 PM

Did anyone else accompany the Lincolns and their guests to Ford’s Theatre?

Traveling with the party were Francis P. Burke, the president’s coachman, and Charles Forbes (1835-1895), the president’s messenger and footman.

John Frederick Parker (1830-1890), a member of the District of Columbia’s Metropolitan Police force assigned as one of eleven men who served as the President’s “bodyguard,” went ahead of the party and met them at Ford’s Theatre. As Edward Steers notes about the police protection of the White House at the time, “There is no known record that describes the duties and responsibilities of these and it remains unclear just what their precise duties were. From sketchy descriptions it seems their principal responsibility was to accompany the president while he traveled to and from various sites, but not attend the president while he was inside those sites.”

Ward Hill Lamon (1842-1912)—Marshal of the District of Columbia, friend of Lincoln, and self-appointed bodyguard to the president—was in Richmond, Virginia, that night, sent by Lincoln to investigate conditions for reconstructing Virginia.

How far is it from the White House to Ford’s Theatre?

Screen Shot 2015-03-27 at 4.09.12 PM

Ford’s Theatre is a half-mile due east of the White House. But it would have been more like a mile after the Lincolns picked up their guests at the house of Senator Harris (at the corner of 15th St and H St). They picked up Major Rathbone and Miss Harris around 8:20 PM and they arrived at the theatre around 8:30 PM.

Screen Shot 2015-03-29 at 5.11.02 PM

Screen Shot 2015-03-29 at 5.08.16 PM

What did Washington, DC, look like in the 1860s?

Here is a photograph of the city in 1865, from the corner of 14th Street and B St. NW (present-day Constitution Ave), facing north.


And here is a watercolor painting from 1860, on the corner of 6th Street and Pennsylvania Avenue, facing southeast toward the Capitol being reconstructed. The city expanded a great deal between 1860 and 1865, but this gives a sense of the colors and the traffic on a typical street corner. In both the photograph and the painting, note the unpaved city roads.


What were the Lincolns wearing?

46-year-old Mary Todd Lincoln was remembered to have been wearing a dark bonnet and a light gray (or black) silk spring dress, highlighted with small white flowers, along with a black velvet cape—pictured below and on display at the Chicago Historical Museum.

Screen Shot 2015-04-09 at 11.40.53 PM

Abraham Lincoln wore a frock coat, waistcoat, trousers, tie, and size-14 shin-high boat, along with white kid cloves. The originals of his clothing that night are pictured below in the Ford’s Theatre Museum.

Screen Shot 2015-03-31 at 10.10.34 PM

While traveling that evening Lincoln would have worn his black top hat and a greatcoat, which had been custom-made by Brooks Brothers for his second inauguration. The inner lining had stitching of an eagle and the words “One Country, One Destiny.” At one point during the play he was chilled and stood up to put his greatcoat on.

Detail of the coat Abraham Lincoln wore the night he was assassi

To my knowledge, Lincoln was only photographed a couple of times wearing his top hat—one of which is below:


Here is the hat—size 7-1/8—he wore on the way to the theatre as it looks like today:


And here are what his gloves look like today. Given the bloodstains on them, he was probably wearing them during the play.


Inside Lincoln’s pockets were

  • two pairs of spectacles
  • a lens polisher
  • a pocketknife
  • a watch fob
  • a linen handkerchief
  • a brown leather wallet containing a $5 Confederate note and nine newspaper clippings

Screen Shot 2015-04-03 at 9.05.24 AM

You can see the items close-up here.

What did Ford’s Theatre look like in 1865?


What does it look like reconstructed today?


What happened when they arrived at the theatre?

Major Rathbone recalls:

On reaching the theater, when the presence of the President became known, the actors stopped playing, the band struck up “Hail to the Chief,” and the audience rose and received him with vociferous cheering. The party proceeded along in the rear of the dress-circle [second-level balcony seating] and entered the box that had been set apart for their reception.

Charles Leale, a 23-year-old Union Army surgeon who had just graduated from medical school, was sitting in the dress circle about 40 feet from the Presidential Box. His testimony adds the detail that Lincoln smiled and bowed, reciprocating the audience’s response.

Dr. Leale also adds,

The party was preceded by an attendant who after opening the door of the box and closing it after they had all entered, took a seat nearby for himself.


Rathbone continues:

On entering the box, there was a large arm-chair that was placed nearest the audience, farthest from the stage, which the President took and occupied during the whole of the evening, with one exception, when he got up to put on his coat, and returned and sat down again.

Here is a photograph of the President’s chair—a comfortable Victorian rocking chair, upholstered in red satin—which is now housed at the Henry Ford Museum.

Screen Shot 2015-03-31 at 11.05.19 PM

What did the State Boxes at Ford’s Theatre look like?

There were eight boxes—two on the first floor and two on the second floor stage left, and two on the first floor and two on the second floor stage right, as illustrated in this diorama of Ford’s Theatre:


A diorama of Ford’s Theatre

How much did tickets cost?

Screen Shot 2015-04-10 at 11.16.20 PM

  • Family Circle: 25¢ [= $3.75 in 2014 money]
  • Dress Circle: 75¢ [= $18]
  • Orchestra Level: $1  [= $24

The boxes were much more expensive:

  • Lower Boxes: $6 [= $87]
  • Upper Boxes: $10 [= $145]

How many people were there that night?

It is estimated that about 1,000 people were there. Good Friday was not a popular night for attending the theatre, but news of the Lincolns (and supposedly the Grants) boosted ticket sales. But tickets were available even after the play began, indicating that the theatre was not packed to full capacity.

There was bench seating in the upper balcony (the Family Circle) section of the theatre, so we don’t know precisely how many were in that section. At capacity, the theatre could have held 1,700 patrons.

How many state boxes were occupied that night?

The only boxes occupied on Friday, April 14, were boxes 7 and 8 (stage right, upper level). The seven-foot-tall, three-inch-thick partition separating the rooms was removed to create a double box for the evening.



How was the presidential party arranged?

The President’s rocking chair was placed the far left against the wall, so that the left side of his face would have been visible to some in the audience. Mrs. Lincoln sat in a carved-back cane-seat chair next to the president’s rocker. Miss Harris sat in the armchair closest to the stage. Major Rathbone sat on the velvet-covered sofa next to but behind Miss Harris and toward the rear of Box 8.


What did the exterior of the boxes look like to the actors and guests?

These photographs were taken after the assassination:


What does it look like reconstructed today?



What happened to the President’s bodyguard that night? I’ve heard he was drunk or fell asleep or was bribed or was off drinking.

There was no Secret Service at the time. As noted above, Ward Lamon, the closest thing the President had to a security detail, was in Virginia that night.

John Parker, a Washington policeman, is often blamed for failing in his duty to guard the President. It is said that Parker abandoned his seat near the door outside the entry to the presidential box, either to view the play from a better seat or to get a drink at the Star Saloon, adjacent to Ford’s Theatre to the south. No one knows for sure where Parker was at the time of the assassination, but it was not really his job to guard the president through the night. His duties were to ensure that the President go to his destination and returned to the White House.

Simon P. Hanscomb, editor of the National Republican newspaper, had volunteered to deliver a telegram dispatch to the President that had come into the White House. Hanscomb approached the box around 10:00, in Act 3, about 20 minutes before Booth. He commented about the security that night and access to the President:

Upon approach the door of the box we [this is an editorial “we”; Hanscomb means “I”] found the passage-way leading to it blocked by two gentleman who were seated upon chairs, about six or eight feet from the door. We  requested them to allow us to pass. They did so, and upon reaching the door we found no other person belonging to the President’s household than Mr. Charles Forbes, one of Mrs. Lincoln’s footmen and messengers, who was always in the habit of attending the President and Mrs. Lincoln at the theatre. As the play was progressing we requested Forbes to hand the dispatch to the President. It was the last he ever received. At that time there were no guards, watchmen, sentinels, or ushers about the door of the President, and anyone could have passed in without molestation.

Did anyone witness Booth pass through the door into the vestibule leading to the president’s box?

Yes, some eyewitnesses saw him. The most detailed report comes from James P. Ferguson, who owned a restaurant next to Ford’s Theatre. He went to the play hoping to see General Grant. When the presidential party arrived without Grant, Ferguson supposed that Grant would arrive later, and therefore he kept looking at the box. He had conversed with Booth earlier in the day and recognized Booth when he entered the second-level balcony. Here is his description:

He walked down around the upper row of the dress circle next to the wall. He stopped about two or three steps before he went to the door, then entered the private box, took off his hat and held it in his left hand. He had a black slouch hat which was a hat he often word; stooped down and case his eyes about over the dress circle and the orchestra, stepped one step down, put his knee against the door and opened it.

Ferguson makes no mention of Forbes guarding the door. But Booth seems to say in his diary that he had been stopped before entering the door: “I struck boldly, and not as the papers say. I walked with a firm step through a thousand of his friends, was stopped, but pushed on.”

David Herold, Booth’s co-conspirator, claimed on April 27 that Booth had told him the following:

He said he walked in the back part of the box with a small Derringer pistol. There was a soldier or officer trying to prevent him from going into the box, & the thought struck him to draw a letter from his pocket and show it to the man, which he did. The man let him pass.

Captain Theodore McGowan, a member of the Veteran Reserve Corps, was sitting about five feet away from the door. He wrote on May 15, 1865:

I was sitting in the aisle leading by the wall toward the door of the President’s box, when a man came and disturbed me in my seat . . . he stopped about three feet from where I was sitting, and leisurely took a survey of the house. I looked at him because he happened to be in my line of sight. He took a small pack of visiting-cards from his pocket, selecting one and replacing the others, stood a second, perhaps, with it in his hand, and then showed it to the President’s messenger, who was sitting just below him. Whether the messenger took the card into the box, or after looking at it, allowed him to go in, I do not know; but, in a moment or two more, I saw him through the door . . . and close the door.

What did Booth do next?

Once Booth entered the door, he was in a dark, narrow vestibule. Booth barred the door he had just entered with a pine bar—wood from a music stand he had placed there earlier in the day. .

Ahead and to the left was the door to box 7; straight ahead was the door to box 8 (sketched below). Although there is some disagreement about which door Booth used, most believe that the door to box 7 was locked and the door to box 8 was open.


Did Booth carve a peephole into the door of box 7 earlier that day?

Many think that he did, but the proprietor of Ford’s Theatre strongly disputed this idea. He claimed it was already there so that the theatre could check on the security of  the occupants of the box without disturbing them.

But in 1962, Frank Ford—son of Henry Clay Ford, manager of Ford’s Theatre—wrote:

I say again and unequivocally that John Wilkes Booth did not bore the hole in the door leading to the box President Lincoln occupied the night of the assassination. . . . The hole was bored by my father, Harry Clay Ford, or rather on his orders . . . [to] allow the guard, one Parker, easy opportunity whenever he so desired to look into the box rather than to check on the Presidential party.

Here is a photo of what the door to box 7 looks like today:

Screen Shot 2015-04-01 at 8.25.11 AM

A close-up shows the hole Booth may have peered through to see the President. It is on a panel about three feet down from the top of the door.


Major Rathbone seems to remember that the door to Box 8 was open during the play:

The distance between the President as he sat and the door was about four or five feet. The door, according to [my] recollection, was not closed during the evening.

What weapons was Booth carrying?

With his right hand he pulled from his pocket a derringer pistol. It was only 5.87 inches long (easily concealed in the palm of one’s hand) and weighed 8 oz. It contained a single .41 caliber lead ball—half an inch in diameter. Booth later dropped the gun in the presidential box.


You can get a sense of how small the weapon was by looking at this picture of a man holding a replica Derringer:


There are conflicting accounts of which knife displayed today is really the knife Booth used. According to Booth researcher Dave Taylor, the one on display at the Ford’s Theatre Museum is not the real knife. Rather, the following—which is in storage in the NPS Museum Resource Center in Landover, Maryland—is the actual Booth knife:


What was happening in the play?

During Act III, Scene 2, the character of Asa Trenchard (played by Harry Hawk) said to Mrs. Mountchessington: “Don’t know the manners of good society, eh? Well, I guess I know enough to turn you inside out, old gal—you sockdologizing old man-trap.” Booth undoubtedly knew that (1) this line meant that Hawk would be the only actor on the stage when it was delivered, and that (2) it would receive loud laughter. His shot rang out as the line concluded.

Did anyone actually witness the assassination? 

John Wilkes Booth is the only person who saw the President directly shot. President Lincoln was not fully visible to the audience, most of the audience was watching the play (including Lincoln’s wife and guests), and Booth approached him from behind.

Major Rathbone did not witness it, but he was among the very closest to the action and soon had direction interaction with Booth:

When the second scene of the third act was being performed, and while I was intently observing the proceedings upon the stage, with my back toward the door, I heard the discharge of a pistol behind me, and, looking round, saw through the smoke a man between the door and the President. The distance from the door to where the President sat was about four feet. At the same time I heard the man shout some word, which I thought was ‘Freedom!’ I instantly sprang toward him and seized him. He wrested himself from my grasp, and made a violent thrust at my breast with a large knife. I parried the blow by striking it up, and received a wound several inches deep in my left arm. . . . The man rushed to the front of the box, and I endeavored to seize him again, but only caught his clothes as he was leaping over the railing of the box. The clothes, as I believe, were torn in the attempt to hold him. As he went over upon the stage, I cried out, ‘Stop that man.’

The testimony of James Ferguson, watching the state box at the time of the assassination, is recounted as follows:

. . . he heard in a moment the explosion of a pistol, saw the smoke, and then saw Booth rush to the front of the box, throw his left hand on the railing, draw a knife from his left side and then though that gentleman [Rathbone] from behind caught his coat. The post that divides the two boxes prevented him from seeing the struggle there, which lasted but a moment. It seemed however that Booth had struck somebody back with his knife, and he then cried out “revenge for the South” and jumped from the box; and his spur upon his right heel caught in the blue flat that hung from the box and pulled it down to the floor. He [=Ferguson] saw it fluttering in the air as it went down, and saw it pulled up part way across the stage with him. When he [=Booth] let his hold of the railing go he fell on his right knee, threw down his hands with his knife in his right hand and fled across the stage in quite a theatrical attitude.

Note in the photograph below the flag on the right side of the box pulled down.


You can see Booth’s boot below:


Dr. Charles Leale—the first medical doctor to attend to the stricken President—wrote:

I again looked toward the stage and was pleased with the amusing part then being performed, but soon heard the report of a pistol, and about a minute or two after I saw a man with dark hair and bright black eyes, leap from the box to the stage below, while descending he threw himself a little forward and raised his shining dagger in the air, which reflected the light as though it had been a diamond, when he struck the stage he stumbled a little forward but with a bound regained the use of his limbs and ran to the opposite side of the stage soon disappearing behind the scenes. I then heard cries that the President had been murdered which were followed by those of “Kill the murderer” “Shoot him” etc which came from different parts of the audience.

What was the path of the bullet?


Lincoln was shot on the left back side of his head. But the medical reports and autopsy are contradictory regarding the path of the bullet: did it come to come above his left eye or his right eye?

James Ferguson, who was watching the President and saw the flash of the pistol—making him the closest thing to an eyewitness—recalls the President’s position before he was shot:

The President at the time of the assassination was sitting with his elbow on the rim of the box that ran across it, with his right hand up, and he had a curtain pulled around looking between the post and the curtain at some person down in the audience.

If this is accurate and the President had just turned to the left, then a diagonal bullet path would make sense.

What did Booth say after he shot the President?

Like many things that night, the details depend on eyewitnesses, and they don’t always agree.

As noted above, Major Rathbone thought he heard him say “Freedom!” in the box after the shooting.

Several witnesses recall Booth standing on the stage and shouting, Sic semper tyrannis” (Latin for “thus to all tyrants”—the state motto for Virginia and what Brutus allegedly said during the assassination of Julius Caesar).

Booth wrote in his diary, “I shouted Sic semper before I fired.” This is highly doubtful. It would have been an enormous risk to announce his presence. Further, I don’t know of any independent collaboration for this, and it may have been a way to downplay the (true) charge that he shot an unarmed man in the back of the head without warning.

Some witnesses also recall Booth shouting, “The South is avenged!” before exiting stage right.

James Ferguson, sitting near the stage, recalls Booth saying “Sic semper tyrannis” as he arose from his awkward jump, and then exclaimed to himself as he headed toward the wing of the stage, “I have done it!” Ferguson also has Booth saying, “Revenge for the South,” while still in the box before his jump.

How did Booth escape?

He jumped from the box to the stage (a distance of 11-12 feet), made his theatrical comments, and then headed for the wing to exit.




Booth tells us in his diary that he broke his leg during the jump. Because the witnesses don’t reference a limp as he strode across the stage, Booth biographer Michael Kaufman thinks that this jump refers to a subsequent incident with his horse.

This diagram shows his path from the stage to the back door, which led to Baptist Alley behind Ford’s Theatre:


From Baptist Alley, he retrieved his rented small bay mare being held for him (unwittingly), and then headed north toward F Street:


Here is a picture of Baptist Alley (so named because the building of Ford’s Theatre was originally a Baptist church):



The following map shows Booth’s route until he was shot 12 days later at a tobacco barn and died on the front porch of Garrett’s Farm in Virginia in the early morning hours, just before sunrise, on April 26, 1865,


Why did Booth shoot Lincoln?

Gerald Prokopowicz explains the reasoning well:

He was dedicated to white supremacy and to the cause of the Confederacy, but his ego demanded that he serve that cause in some fashion more dramatic than shouldering a musket in Lee’s infantry. . . . After the fall of Richmond on April 3, 1865, Booth imagined that killing the president would still somehow save the Confederacy from defeat or at least prevent Lincoln from reshaping the South. . . . Booth saw himself as a hero of liberty who would be remembered forever for slaying an evil tyrant.

In a lengthy letter to the editor of the National Intelligencer, written before the deed was done, Booth made his ideology explicit: “This country was formed for the white, not for the black man . . . If the South is to be aided it must be done quickly.” At the close of his letter he compared himself to Brutus—his father’s middle name—who had assassinated Julius Caesar for being a tyrant.

In his diary, Booth writes, “Our country owed all her troubles to him [=Lincoln], and God simply made me the instrument of his punishment.” Booth also addressed the question of guilt, repentance, and God:

God cannot pardon me if I have done wrong. Yet I cannot see my wrong, except in serving a degenerate people. . . . God, try and forgive me, and bless my mother. . . . I do not repent the blow I struck. I may before my God,  but not to man. I think I have done well. Though I am abandoned, with the curse of Cain upon me, when, if the world knew my heart, that one blow would have made me great, though I did desire no greatness. Tonight I try to escape these bloodhounds once more. Who, who can read his fate? God’s will  be done. I have too great a soul to die like a criminal. Oh, may He, may He spare me that, and let me die bravely. I bless the entire world. Have never hated or wronged anyone. This last was not a wrong, unless God deems it so, and it’s with Him to damn or bless me. As for this brave boy with me, who often prays (yes, before and since) with a true and sincere heart—was it crime in him? If so, why can he pray the same?

Where was Lincoln taken after he was shot?

Lincoln was carried headfirst down the staircase of Ford’s Theatre, out the front doors, and onto 10th Street.

Dr. Leale, the attending physician, recalls:

There was an officer present who rendered great assistance in making a passage through the crowd.

When we arrived to the street I was asked to place him in a carriage and remove him to the White House, this I refused to do being fearful that he would die as soon as he would be placed in an upright position. I said that I wished to take him to the nearest house, and place him comfortably in bed.

We slowly crossed the street there being a barrier of men on each side of an open passage towards the house.

Those who went ahead of us reported that the house directly opposite was closed.

Dr. Leale continues:

I saw a man standing at the door of Mr. Peterson’s house and beckoning us to enter which we did and immediately placed him in bed, all of which was done in less than twenty minutes from the time that he had been assassinated we not having been in the slightest interrupted while removing him.

What did the Peterson House look like then?


What does it look like today?


Were there any artists witnessing the events of that evening outside Ford’s Theatre?

Funny you should ask! Artist Carl R. Bersch witnessed the scene from his window, was able to make a sketch, and later produced a painting entitled “Borne by Loving Hands.” To my knowledge it is the only artwork that night captured by an eyewitness (though later artwork was quickly made based upon eyewitness interviews). For whatever reason, the painting does not seem to be well known today.


What room was Lincoln taken to within the Peterson house?

He was taken to the first open room, at the back of the house and on the first floor. It was rented by William (“Willie”) Clark, a former private in the 13th Massachusetts who was working at the time as a clerk in the Quartermaster’s Department. He was out for the evening.

How big was the room where Lincoln died?

It was nearly 9.5-feet wide by 17-feet long.

The photograph below was taken by Peterson house boarder Julius Ulke just a couple of hours after Lincoln’s body had been removed. The blood on the pillow from the President’s head was still sticky to the touch.


What does the reconstructed room look like today?



The furniture in the room are period pieces. The actual bed is on display at the Chicago Historical Society. The bed was 78 inches long, and Lincoln was 76 inches tall (6’4″)—add a pillow and he wouldn’t fit. So they had to lay his body diagonally across the bed and removed a part of the foot of the bed. They opened the windows and had everyone leave who was not a part of the medical team or a friend.

Dr. Leale writes,

As soon as we placed him in bed we removed his clothes and covered him with blankets. While covering him I found his lower extremities very cold from his feet to a distance several inches above his knees.

I then sent for bottles of hot water, and hot blankets, which were applied to his lower extremities and abdomen.

Does the bloodstained pillow still exist?

Yes, one of the pillows Lincoln used is pictured below.


How many people were in the room where Lincoln died?

The room was not big enough to hold many people at one time. It is often called the “Rubber Room” because of the way in which it magically expands in depictions of the scene to accommodate the dozens of people—family members, doctors, cabinet members, friends—who visited the dying President.

Alonzo Chappel’s “The Last Hours of Abraham Lincoln” is simultaneously the most inaccurate rendering (in terms of the size of the room) but beautifully accurate (in its depictions of the people who were there at some point or another). Many of the people shown—including Robert Lincoln and Clara Harris—posed for Chappel so that he could portray a realistic likeness.

alonzo-chappel-last-hours-of-abraham-lincoln (1)

Go here for more details on this painting and other paintings of the scene.

How much time elapsed between when Lincoln was shot and when he died?

He was shot between 10:15 and 10:30 PM on Friday night and died the following morning at 7:22 AM (+ 10 seconds). So he was unconscious for approximately nine hours before dying.

What did Edwin Stanton say after Lincoln died?


He said, “Now he belongs to the ages” or “He belongs to the angels now.” Jay Winik and James Swanson are convinced he said “angels” and then amended it to “ages.” Most historians and biographers believe he said “ages.”

James Tanner, who was taking shorthand that night, records that the Lincoln family minister, Rev. Dr. Phineas Gurley, led in prayer after the president’s death was announced. Tanner got out his pencil to record the historic words but in his haste he broke his pencil broke and was not able to record them as delivered.. Tanner later recounted that Stanton sobbed out the words, “He belongs to the angels now.”

No one knows for sure, but—for what it’s worth—I think “angels” is more probable. There is a principle in textual criticism that the “harder reading” is to be preferred, and it intuitively seems more likely that someone would revise “angels” to “ages” rather than vice-versa. “Ages” seems more poetic and memorable, whereas “angels” is a bit more unusual and obscure. Furthermore, Stanton (himself a religious man) uttered this line immediately after a prayer was delivered. Ultimately, we cannot know for certain.

Are there any photographs of Lincoln after he died?

The last extant photograph of Abraham Lincoln is of his corpse in repose, taken on April 24, 1865, in New York City—nine days after his death. Secretary of State Edwin Stanton had ordered the photograph destroyed. It was discovered in 1952 by a 14-year-old Ronald Rietveld, who went on to become a historian.

New York City Hall, April 24, 1865  Photo by Jeremiah Gurney, Jr.

Below is a sophisticated 3-D reconstruction by Ray Downing using Lincoln’s death mask and photographs:


Hey, how come you didn’t answer my question?

Because this blog post is already too long! There are so many other fascinating threads and angles to this story. We haven’t even touched on the other assassination attempts on Lincoln’s life (there were at least eight), or Booth’s plan for a simultaneous attack to take out the Union government (Lewis Powell tried but failed to kill Secretary of State William Seward, recuperating in bed from a carriage accident, while George Atzerodt failed to attempt an assassination on Vice President Andrew Johnson), or what happened to Booth’s co-conspirators (they were hanged after a trial), or whether better medical care could have kept Lincoln alive (it is extremely doubtful), or the funeral train that carried Lincoln’s body and the exhumed body of his young son back to Springfield, Illinois, or other “facts” that are likely myths (like Lincoln saying an unusual “goodbye” rather than “good-night” before he left, or that Lincoln had a dream about attending his own funeral, or the idea that Secretary Stanton was behind the assassination, or that Dr. Mudd was an innocent man wrongly condemned by a vengeful government, or that Booth actually survived, or that there was a mummy of Booth, etc.).

Some of the issues and events surrounding the key players are stranger than fiction (like Major Rathbone later killing his wife, Clara Harris Rathbone, or Mrs. Lincoln trying to contact her dead husband through spiritualists, or thieves later attempting to exhume and steal Lincoln’s corpse).

Because the event is so iconic in American history, it is easier for us to forget the true nature of the event. Whether one agrees or disagrees with Lincoln’s policies and how he led the country through war, this was a violent and cowardly murder of not only the leader of the country, but also a husband, a father, and a friend—and a man created in the image of God—all to perpetuate the evil ideology of white supremacy and black subjugation.

Where can I read more about the assassination of Lincoln?

Amazingly, the first book published on the assassination by a professional historian was not until 1983: The Lincoln Murder Conspiracies by William Hanchett.

If you want an excellent biography of Booth, get Michael Kaufman’s American Brutus: John Wilkes Booth and the Lincoln Conspiracies.

If you want the best fact-filled, easy-to-use reference guide, get Edward Steers Jr.’s The Lincoln Assassination Encyclopedia. It’s a must-read for any history buff interested in the assassination. Steers is often considered our foremost expert on the assassination; see also his detailed Blood on the Moon: The Assassination of Abraham Lincoln.

If you want excellent history with unputdownable narrative, with a focus on the subsequent manhunt, get James Swanson’s New York Times bestseller, Manhunt: The 12-Day Hunt for Lincoln’s Killer. (Swanson has also written a follow-up book, Bloody Crimes: The Funeral of Abraham Lincoln and the Chase for Jefferson Davis).

For eyewitness accounts of the actual night, see We Saw Lincoln Shot: One Hundred Eyewitness Accounts.

For online resources, I find the Boothie Barn site by Dave Taylor (no relation) indispensable for thoughtful research not found elsewhere.

If you like FAQ formats (i.e., if you made it to the end of this post!), you will like Gerald Prokopowicz’s entertaining but accurate and informative Did Lincoln Own Slaves? And Other Frequently Asked Questions about Abraham Lincoln.

Finally, are there any good film reenactments you’d recommend?

On Lincoln in general, I think Daniel Day-Lewis’s Lincoln is a remarkable performance, uniquely bringing Lincoln the man to life in a beautiful recreation—even if, as historian Eric Foner points out, “The film grossly exaggerates the possibility that by January 1865 the war might have ended with slavery still intact.”

On the assassination itself, I think The Conspirator has a relatively accurate reconstruction of the assassination, along with Powell’s savage attack on Seward and Atzerodt’ failure to assassinate Johnson. At least for the time being, you can watch the relevant clip here, with foreign-language subtitles (feel free to skip 1:39 to 2:19).

View Comments

The New ESV Bible App for iOS: Designed to Be the Most Intuitive and Elegantly Designed Bible App to Date

Apr 13, 2015 | Justin Taylor

My colleagues at Crossway have invested an enormous amount of time into receiving and listening to feedback and seeking to design the all-new ESV Bible app to be the most beautiful and intuitive Bible app currently available.

It includes free resources such as personalized reading plans, audio streaming, and full access to the ESV Global Study Bible.

You can learn more at Here is a little video preview:

View Comments
1 2 3 4 5 654