One of Marilynne Robinson's extraordinary accomplishments in Gilead is to establish, as a woman, a plausible narrative voice for a man. Further, as a layperson, she manages to capture with remarkable authenticity the interior life of a man who serves in pastoral ministry. The Reverend Ames is honest about the challenges of ministry, familiar to any pastor. He complains about church meetings ("just a few people came, and absolutely nothing was accomplished"). He confesses how hard it is to love his sheep ("After a while I did begin to wonder if I liked the church better with no people in it"). At the same time, Ames knows that his parishioners treat him differently, giving him more respect than he deserves—a "kindly imagining" that is hard for him to disillusion. He also laments the relentless approach of next week's sermon ("it seems to be Sunday all the time, or Saturday night. You just finish preparing for one week and it's already the next week").